One of the most popular plays in 2004 was The Reefer Man, a moving one-man show about a young lawyer whose love for marijuana and skill at growing it leads him through a variety of adventures and relationships.
Russell Bennett gives a virtuoso solo performance, taking on over two dozen characters as he plays out the rise and fall of ganjaphile Charlie Kovacs. From getting high for the first time to having his buds win the Cannabis Cup, from being busted and jailed to a reconciliation with his estranged father, the audience is taken through the highs and lows of Kovacs’ life in an authentic, well-written and powerful story.
The nature of the tale allows Bennett and his director/co-author Gillian Stevens-Guille to weave in numerous references to current events throughout the story. At the Vancouver showing, characters in the play mentioned recent court decisions, Marc Emery’s incarceration and the raids on Da Kine.
The story is emotionally compelling, but also educational. Bennett teaches his audience about the harms caused by prohibition, and its racist origins. At one point Kovacs summons up the spirits of Canada’s first anti-pot warriors, suffragette Emily Murphy and Prime Minister William Lyon MacKenzie King, and questions them as to their mindset and motives.
After his first Vancouver performance, the last stop on the tour, impassioned audience members threw cannabis offerings at the grateful actor. “It was a magical evening,” said Bennett in a subsequent interview with Cannabis Culture. “A dream came true ? that I do a good enough performance to experience a shower of joints and bud onto the stage! What a night!”
The Reefer Man won “Pick of the Fringe” in almost every city that it performed. “I’d love to get this play into New York,” said Bennett. “The script can easily be reworked to reference US history and events. I think many Americans need to see this show.”
Despite his play’s hit status, Bennett was threatened with expulsion from the festival if he continued his extremely pro-pot ways. Bennett had been giving out gifts from his sponsors at the end of each show, and one of those gifts had traditionally been a phat nug from Da Kine. Bennett only quit giving out the ganja after Fringe officials told him he would be “kicked out” if he didn’t stop.
Bennett also produced and directed Stoned: Hemp Nation on Trial, a 1998 documentary about the trial and legal challenge of Canadian cannabis activist Chris Clay (CC#09, The Trial of the Century).
? The Reefer Man: www.thereeferman.com